
The ability to reach out and benefit one's contemporaries and students is something we value tremendously at Artist of Tomorrow. This database
would not exist without the generosity of people like you, and when it comes to resources, we view them much like we view arteveryone has
something important to say. You don't have to be a famous artist or professor to contribute something. As long as you think it may help others,
we will be happy to put it in our database after careful screening. (If your submission contains vulgar or irrelevant information, it will not be
accepted.)
Interested? Send your essays, lectures, and tutorials to us by email. For more information about what qualifies as an essay, lecture, or tutorial, please visit the respective pages.
Interested? Send your essays, lectures, and tutorials to us by email. For more information about what qualifies as an essay, lecture, or tutorial, please visit the respective pages.

hal evans is the current Director of Living Art Studio Theatre (LAST). He is well-known as the founder of Troupe d'Jour, an educational
performance group that excites children about theatre. As an actor, director, and playwright, he has worked with many well-known venues such
as the Globe Theatre.
Skyler Kanegi is the founder of Artist of Tomorrow, Renegade Magazine, and Boost Theatre. He has been published and won awards for his writing and visual art on the state and national levels, was formerly a member of the Poetry Society of Texas and a semi-finalist for the Houston Young Playwrights Exchange (HYPE). Six of his plays have been performed locally, and he is publishing a novel and two anthologies this year.
Skyler Kanegi is the founder of Artist of Tomorrow, Renegade Magazine, and Boost Theatre. He has been published and won awards for his writing and visual art on the state and national levels, was formerly a member of the Poetry Society of Texas and a semi-finalist for the Houston Young Playwrights Exchange (HYPE). Six of his plays have been performed locally, and he is publishing a novel and two anthologies this year.

No professors have contributed at this time.

No critics have contributed at this time.













